Jewels in Ink: The Delicate World of Tattoo Artist Yana Laguta

Introduction:

From digital design to delicate skin art, Yana Laguta has carved a unique niche in the tattoo world—quite literally. Beginning her tattoo journey in Saint Petersburg in 2018 after five years as a graphic designer, she brings an unmistakably feminine, graceful touch to the craft. Known for her fine-line geometric compositions that resemble bespoke jewelry, she transforms the body into a living canvas with intentionality, elegance, and soul.

Whether traveling through Europe, wintering in Asia, or participating in the electric buzz of tattoo conventions, Yana continues to redefine what tattooing can be. We spoke with her about her inspirations, challenges, and the hidden life of a modern tattoo artist.

Follow her work on Instagram: @ohh.yana


From Digital to Dermis

How did you first enter the world of tattooing?
I started tattooing in Saint Petersburg in 2018, after working for five years as a graphic designer in a digital agency. I was always drawn to handmade creation and the satisfaction of tangible results. Tattooing felt like the natural next step—and it instantly clicked.

What first inspired you to pursue tattoo art?
I was really inspired by the team at Sashatattooing. Before discovering their work, I’d never seen tattoos that felt delicate or feminine. It completely changed my perception and made me want to explore the medium myself.


Style, Process, and Philosophy

How would you describe your tattoo style?
I think of my tattoos as jewelry—each one unique, created specifically for one person. My style combines fine geometric patterns with floral elements. I love crafting feminine compositions that accentuate the body’s curves while remaining light and almost weightless.

What does your creative process look like—from idea to ink?
It’s quite straightforward. I ask clients to send a few examples of my past work they love. I also request a photo of the area where the tattoo will go—not just measurements, but the proportions of the actual body. That helps me design something truly harmonious.

What do you think makes a tattoo truly great?
Two things: clean lines and a thoughtful composition. A good tattoo should heal well and retain its finesse over time. And it should feel like it belongs on the body—not like a sticker.


Behind the Scenes

What are some challenges you face as a tattoo artist?
Multitasking, without a doubt. These days, a tattoo artist needs to be a designer, booking manager, photographer, blogger—and still have time to draw and tattoo. I enjoy the variety, and I have assistants, but it can be overwhelming.

Have you ever turned down a tattoo request?
Yes, quite often. If a request doesn’t align with my style, I prefer not to take it on. I’ve learned that staying focused creatively is important for both me and the client.

What’s one of the most unusual tattoos you’ve done?
Early in my career, I tattooed the entire Seoul metro map for a client. It had so many lines! I remember thinking, “Why did I agree to this?” It was a challenge, but also a memorable experience.


The Life of a Tattoo Artist

What’s a common misconception about tattoo artists?
That it’s not a serious profession. In reality, it’s physically demanding, detail-oriented, and requires constant learning—new trends, new tools, sometimes even new languages. Many people still imagine tattoo artists as outsiders, but we’re hardworking, multidisciplinary creatives.

What might surprise people about your profession?
How much we travel! Many of us work internationally, do guest spots, or spend months abroad. It’s a nomadic, exciting lifestyle that people don’t always expect.

How do you feel about tattoo conventions?
I love the energy of conventions—the competitiveness in the air, the chance to meet legends of the industry. I hope more categories will open up for fine-line tattooing in the future. Right now, it still feels underrepresented in awards.


Reflections and Advice

Do you have a favorite tattoo you’ve done?
Some of my most meaningful pieces are from the early days—those first moments of trying something new and feeling amazed by the result. I also love working on flash projects that I create from my own imagination. Those pieces often spark creative breakthroughs.

What advice would you give someone getting their first tattoo?
Don’t choose based on price—you’ll forget the cost, but wear the tattoo forever. Always check the artist’s healed work. And take your time. Follow a few artists you like and wait until one feels right.

If you could only tattoo one design for the rest of your life, what would it be?
A single line. You can place it anywhere—longer, shorter, thinner, thicker, even running the length of the whole body. One drawing, endless possibilities.


Closing Thoughts

Yana proves that tattooing is both an art and a deeply personal craft. With a style as precise as it is poetic, she creates more than images—she builds intimate, wearable expressions of identity. And in a world that moves fast, her work reminds us of the quiet power of something permanent.